Friday 4 July 2014

Glastonbury

Glastonbury, what can I say that will do it justice. It was such an epic experience that what I am about to write can never adequately describe the spectacle,
mayhem and exhilaration one feels during this week long party.


Bob and I choose to arrive early on the Tuesday so that we could get a fairly close spot in the campervan fields, and we were glad we arrived by two because as it was we still had a fifteen minute walk into the festival each day. This walk turned out to be worth every tired step for the peaceful vistas and quiet of the camper fields and the ability to access clean toilets and water facilities. The tent camping fields are located within the festival and usually adjacent to main stages where sleeping would not be a possibility without extremely good ear protection, and avoiding having your tent submerged in a sea of mud would also be impossible.


We visited the festival on both the Tuesday and the Wednesday although the music didn’t officially start on the smaller stages until Wednesday night and on the main stages till Friday.  Even though the main stages didn’t start till Friday night by Wednesday night 70% of those coming had arrived already and were starting hard.
Glastonbury caters for everyone and I mean everyone. There are over 100 stages scattered over 900 acres in the Fields of Avalon within the Somerset County. There are specialised children’s fields featuring rides, nursery rhyme stages and wandering performers, and then there are the other stages for the adults with music ranging from your traditional rock to the most obscure dance genres.  Throughout all these stages you will often come across random art installations such as remote control mechanical horses and fire breathing dragons to major pieces of art on walls.  Performers and impromptu acts are also seen wandering all over sight often breaking into chorus or stopping for a photograph.















The number one statement in the Virgins Guide to Glastonbury says that you must be prepared to walk as you will literally walk miles over your week there.  And this was certainly true. I literally dropped two notches on my belt by the end of the week and my legs felt like I had hiked the Viking through the Alpine National park. The second line is be prepared for mud. Glastonbury is notorious for its lakes of mud and in many years the mud has been so extensive you could wade chest deep in it. Luckily it was never above knee height during this years festival and with my new ‘Wellies’ I was good to go dancing and splashing away in the mud. I did however start to develop some serious blisters and trench foot from the moisture in my boots after two days  of fairly heavy and continuous rain. Of course this is not enough to stop the desire to dance and enjoy what was a real spectacle and definitely a bucket list experience.






There were many, many acts that we saw but within the limits of a blog I will have to share my absolute highlight stage, which is know as ‘The Temple’. After wandering and dancing throughout various parts of the festival at around 3am we came across The Temple and began the forty minute queuing to get into the highly desirable open air club. The Temple is a round venue with no roof and to enter you must climb a flight of stairs which brings you to the top of the venue. Looking down, the sides are filled with stepped platforms around an ampitheater which eventually leads down to a earthen dance floor. All the platforms and the central dance floor were filled with electrified dances crazily vibrating to the beats of Vinyl Junkie.  The experience was amazing when combined with the flashing of the strobes and the rainbow lighting and laser show. I can only imagine this being the closest I would ever get to experiencing an early 90’s UK rave.  We found ourselves perched about half way down the theatre and settled in for the next set which featured an Old Skool rave set mixed by none other than Rat Pack, DJ Slipmatt, Daniel Billy Bunter and the Ragga twins (all extremely famous and highly revered DJ’s in the early 90’s) Lets just say I was in heaven! I literally danced my arse off for three hours without stopping. My feet were covered in layers of mud and my legs had been walking me around for three days through the mud, but I could hardly notice over the addictive beats, old school piano sounds and uplifting vocals. The Temple was literally my dancing heaven.









Another stage which must get a mention, is Arcadia. The night before visiting The Temple we watched the landing show. During this Arcadia the giant spider stage made from old military parts, scrap metal and machinery, bellows fire, lasers and wicked lighting all while a set of Happy Hardcore was screaming out of the speakers. On top of that girls spinning on ribbons dangled over the crowd performing various acrobatics in time to the music. 

Below is a link to show you the opening show we saw on the Friday. Unfortunately the sound quality is atrocious but it will give you an idea of how much effort the team at Arcadia put into their set and the Landing show.







Next to the giant spider a six wheel bug truck also featured a speaker system playing Jungle music. Within the vicinity of these two sound systems there were numerous mechanical art pieces many breathing fire. One of the most unusual art installations was a giant robotic hand, which could be controlled by festival guests. After a very quick instruction session you were hoisted up on to a platform were you could place your hand into a small glove which then controlled a giant mechanical hand that could be used to pick up, crash and throw cars to the ground.







One of the busiest acts featured was Dolly Parton. According to the Glastonbury paper (yes they had a printing press and printed a newspaper for guests) she had the highest turnout for her set. I really enjoyed her performance and can’t really comment on the controversy of whether she was lip-syncing or not. To be honest I didn’t really care as singing along with another 120 000 people to her songs was an amazing thing to be involved in.





Another act that had a ridiculously high turnout was Kasabian which perfomed on the same stage and was the closing show.  Kasabian are definitely performers and knew how to amp up the crowd. I saw a record number of flares being lit during the hour and a half set and in front of the stage many groups hoisted flags while they danced and sung along.






For those of you thinking though that a week of music, dancing and mayhem is too much there was still so much more that you could explore. Bob and I honestly felt that we didn’t even get a chance to touch many of the more relaxed areas such as the gardens, healing fields and chill out zones. There were even craft areas you could go to learn trades such as leatherwork, woodcarving and flower arranging. If you like food and shopping, there were numerous choices for both. The food was actually nutritious and not the standard festival fare I had expected. 









On the whole I can say it was the best commercial festival I had experienced and I would even go as high as saying it would be worth the flight from Australia to be able to go again. Of course it’s the people you go with that make it even more special, lots of love for sharing a special festival to Lauren, Ben, Jim, Chris, Max, Meagan, Sophie, Lee, Chez and Louise and of course Bob xx













No comments:

Post a Comment